English · Global · Original audio

Innocents Abroad / Chapters 4-5

A real human recording with expressive typography, timed motion and original graphic backgrounds.

EXPORT SETTINGS
Aspect ratio
9:16
Resolution
720 × 1280
Duration
66.0 s
Text animation
Split color story
Font size
54
Visualizer style
Off
Render time
9.92 s
Create your own video ↗Download settings ↓Download example MP4 ↓Download background ↓

Recording credits & license

Mark Twain | Read by John Greenman / LibriVox

John Greenman ↗

Audio language: English · Original recording source ↗ · LibriVox-Public-Domain

Changes: excerpted and re-encoded audio, captions and original motion graphics added.

Video license: CC-BY-4.0 · Download attribution & license

Automatically transcribed captions may contain errors.

How this example was made

Exports combine production typography measurements with FFmpeg and ASS. Captions use Whisper small and may contain recognition errors; some classic readings are corrected against their source text. Render times exclude transcription and describe the build computer, not a server guarantee.

Download the audio, captions and settings to inspect this example. The style is available in the editor; use your own recording or follow the source license when reusing the example audio.

Original audio

Download source audio ↓

Recognition draft

Why, I'm not trying to improve it, and I am singing like the others, just as it is in the notes. And he honestly thought he was, too. And so he had no one to blame but himself when his voice caught on the centre, occasionally, and gave him the lock-jaw. There were those among the unregenerated who attributed the unceasing headwinds to our distressing choir music. There were those who said openly that it was taking chances enough stuff, to have such ghastly music going on, even when it was at its best, and that to exaggerate the crime by letting George help was simply flying in the face of Providence. These said that the choir would keep up their lacerating attempts at melody until they would bring down a storm some day that would sink the ship. There were even grumblers at the prayers. The executive officers said the pilgrims had no charity. There they They are, down there, every night at eight bells, praying for fair winds, when they know as well as I do that this is the only ship going east this time of the year, but there's a thousand coming west.

Text shown in the video

Why, I'm not trying to improve it, and I am singing like the others, just as it is in the notes. And he honestly thought he was, too. And so he had no one to blame but himself when his voice caught on the centre, occasionally, and gave him the lock -jaw. There were those among the unregenerated who attributed the unceasing headwinds to our distressing choir music. There were those who said openly that it was taking chances enough stuff, to have such ghastly music going on, even when it was at its best, and that to exaggerate the crime by letting George help was simply flying in the face of Providence. These said that the choir would keep up their lacerating attempts at melody until they would bring down a storm some day that would sink the ship. There were even grumblers at the prayers. The executive officers said the pilgrims had no charity. There they They are, down there, every night at eight bells, praying for fair winds, when they know as well as I do that this is the only ship going east this time of the year, but there's a thousand coming west.

Download captions ↓

Source and measurement notes

These examples use licensed original songs and real human recordings. No synthetic narration or replacement vocals are added. Each language has its own 20-example gallery; every video lasts at least one minute. Music retains the original recording language, shown on each card.

Published:

About this tool and its limitations ↗